

In Doha, January 2026
White Putiputi Misha Milovanovich 2026 H: 76cm x W: 34cm x D: 24cm Resin core finished with white cellulose paint and varnished on a 200 old English yew tree plint Unique Sculpture Can art touch the human heart and guide light through it? Can an artist create conditions for social change? Drawing on the Māori concept of konukura (mineral) and the cultural symbolism of putiputi (flower), Milovanovich’s work bridges her Serbian diasporic experience with a universal language of.


See you in Mexico City, February 2026!
Marion Friedmann Gallery. TERRITORIO fair | Maison Celeste | Maison Lezard Misha Milovanovich (Serbia/UK) Jorge Yázpik (Mexico) Thierry Jeannot (Mexico/France) Emilio Flores (Mexico) Luisa Restrepo (Mexico/Colombia) | Sabino Guisu (Mexico) |Alessandra Pasqua (Italy) Miguel Ángel Carrera (Mexico)


Due to popular demand, Saatchi show is extended until 28 April 2026 in London
Delighted to announce that the exhibition at the Saatchi Gallery is extending until 28 April 2026! Featuring many amazing artist including sculpture by yours truly. Titled after ancient Egyptian hippopotamus goddess embodying primordial maternal force, holding life, death and rebirth in a single continuous circle. IPY Misha Milovanovich 2022/2023 London H: 120cm x W: 80cm x D: 70cm on wooden plint. Fiberglass resin, cellulose paint and aluminium leaf Unique Sculpture Showin


With my Girls
One of my favourite art moments of 2025 came from my exhibition Parade , a large-scale installation animated by performances created and shared with my girls. Bloom became a symphony of movement and form—a living sculpture developed with my costumer Mei Hui and a wonderful powerful performer Sharon Rose.


One of my favourite art moments of 2025
One of my favourite art moments of 2025 emerged from my exhibition, Parade—a large-scale installation that brought together sculpture, painting, textiles, and a program of daily performances. Drawing its rhythm from the 1917 collaboration between Picasso, Cocteau, and the Ballets Russes, Parade (2025) was conceived as a sequence of unfolding scenes, each day different and alive, across its February–March presentation at JM Gallery, London.


When I was a painter
Splosh, Misha Milovanovich, 2015, London, Acrylic, Oil Pastel, Ink Enamel & Cellulose Paint on Canvas, 122 x 96 cm

















