One of my favourite art moments of 2025 emerged from my exhibition, Parade—a large-scale installation that brought together sculpture, painting, textiles, and a program of daily performances. Drawing its rhythm from the 1917 collaboration between Picasso, Cocteau, and the Ballets Russes, Parade (2025) was conceived as a sequence of unfolding scenes, each day different and alive, across its February–March presentation at JM Gallery, London.