Misha Milovanovich’s work fuses a variety of motifs and sources from Dada, Surrealism, Bossa Nova, ‘primitive’ art and post-feminist theory. Her work is always spirited, humorous and bursting with delight.. Her totemic sculptures reflect a joyful kind of appropriation and reference-making. Characterised by a profusion of exuberant colors and shapes Misha blurs boundaries, between abstraction and figuration, painting and sculpture, flatness and solidity, form and theory, revel